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Capturing fabulous fireworks' photos

Photographing fireworks is a radically different exercise to the majority of long exposure photography you might already have practised. It comes down to the need to trip the shutter before the subject (the explosion of colour) has appeared, and each shot will be different to the last—there’s no opportunity to reshoot if things don’t go to plan.

fireworks 38mm | 1.4 seconds | ƒ/16 | ISO 100
With some understanding of what you need to do, together with some preparation, there’s no reason why you shouldn’t be taking fabulous photos of fireworks.

Setting up

For most low-light and night scenes you can take your time and alter your shooting position if you need to recompose a shot. However, when shooting fireworks displays it is best to select a vantage point before the display starts, so arrive before dark, check out the area, and decide if you want to include any static elements—such as buildings—in your images. When you shoot the display, these elements will probably be rendered as silhouettes, so look for structures with relatively identifiable shapes.
Turning up early also means you can find a position that will be unobstructed by other people. It can be difficult to move around once the display starts, and as fireworks displays tend to be quite short, trying to find an alternative vantage point while the event is happening will waste time that could be spent shooting. It’s far better to find the right spot early on.
fireworks 17mm | 9 seconds | ƒ/16 | ISO 100
Similarly, changing lenses can be a time-consuming process that will mean you miss some of the action, so select a lens that will be appropriate to your distance from the display, and its expected size, before it starts. A zoom lens definitely offers the greatest flexibility, and if you’re relatively close to the action, a standard zoom covering a focal length range of 18–70mm (or thereabouts) is a good choice. If you’re farther away you might need to use a telephoto zoom, such as a 70–200mm zoom, for example.


Technical considerations

Once you’re in place, set your camera so you aren’t fumbling around in the dark later. A good starting point is to set your camera to ISO 100, with an aperture between ƒ/11 and ƒ/22. As a general rule, ƒ/16 will provide a good balance between the movement of the various light sources in the image, without overexposing any of the light trails too drastically.
fireworks 17mm | 2 seconds | ƒ/16 | ISO 100
In terms of shutter speed, using Bulb mode in conjunction with a remote release will give you the greatest control over exactly what gets included in each shot. Exposure times of between half-a-second and 10 seconds are usually sufficient—any longer and you risk overexposure from the ambient light, any shorter and the fireworks will be tiny trails rather than full-blown explosions.
An alternative method for recording multiple fireworks—and avoiding overexposure—is to cover your camera’s lens between explosions. Start the exposure by triggering the shutter in Bulb mode, then cover the lens immediately after the first firework (but do not close the shutter). To record a second explosion, uncover the lens when you anticipate it’s being launched, then cover it again once the light has faded. Because your lens is covered between the bursts, the ambient light won’t affect the image as much as it would if you just made a single long exposure, so you shouldn’t suffer from overexposed images.
fireworks 52mm | 15 seconds | ƒ/8 | ISO 100
When you’ve finished recording as many fireworks as you want, close the shutter and repeat the process for your next shot. Remember: you can check the exposure of your first few shots using your camera’s LCD screen and histogram and adjust the aperture if necessary, but fireworks displays don’t last long so you need to think and act quickly.
Take creative control of your images and master the essentials of proper exposure with David Nightingale’s comprehensive guide to photography’s most fundamental skill: Mastering Exposure. Reinvigorate your artistic enthusiasm by being able to recognise not just the ‘correct’ exposure, but also numerous other creative options for how to capture any given scene. Your photography will stand apart from the crowd, and reflect your own unique vision of the world, all because you have mastered the best techniques for capturing stunning images.

Mastering Exposure, David NightingaleMastering Exposure
David Nightingale

 
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