Jeff Wignall
Adding just a splash of colour to your photos
As tempting as it is to fill the frame from edge to edge with a bold, or even a subtle blend of, colours (after all, colour is free, why not get greedy with it?), presenting […]
Read MoreCreating colourful close-ups
Close-up photos are a surprisingly rich source of interesting colours and colour combinations and much of the colour found in the macro world comes as a complete surprise when we capture it in photographs because […]
Read MoreThe advantages of midday light
Do you ever recall old gunfight scenes in Western movies, where the gunfighters set up their showdown for high noon, whenever you think about taking photos at midday? It was probably the worst possible time […]
Read MoreSubject distance, focal length, and sharpness
The distance between your camera and your subject will have a major effect on your ability to stop action in a photograph and ensure a crisp point-of-focus. Photo by Victor Tyakht The closer that you […]
Read MoreThe power of muted colours
Despite most photographers’ inclination to lean heavily on the saturation slider, colours do not have to scream or dance or do combat with one another to get our attention or to evoke a deep emotional […]
Read MoreHow to photograph a dark subject against a light background
All in-camera and handheld meters are designed to operate on the premise that everything that you’re metering produces an average amount of reflectance or, in photographic terms, about 18-percent reflectance. This is an extremely challenging […]
Read MoreHow digital cameras record colour
One of the most profoundly interesting things about taking pictures with a digital camera is just how narrow the leap is between the theoretical concepts used by James Clerk Maxwell to create his first colour […]
Read MoreWhen and how to use custom white balance settings
The ability for cameras to automatically set white balance according to the prevailing conditions is extremely useful, but it does have a down-side, too. Auto white balance sets your camera in relentless pursuit of totally […]
Read MoreHue, saturation, and brightness: the language of colour
For the purposes of most creative photography it’s not so important that we are able to describe colours accurately, which is a relief, given how tricky it can be. But it is very important that […]
Read MoreDon't ignore pre-dawn and twilight!
Compared to the scorching burst of fiery colours that sunrise and sunset unleash at the beginning and end of the day, twilight and the half hour or so before sunrise bathe the landscape in a […]
Read MoreHow to exploit a dominant colour
While it is tempting, and certainly challenging, to search out interesting combinations of colours—to create contrasts or to emphasise a warm or cool colour theme, for instance—not every photograph has to offer a rainbow of […]
Read MoreNailing neon sign photography
The height of fashion in the 1950s and 1960s, neon signs suffered a few decades of decline only to enjoy a resurgence in interest of late. And just as well it is, too, for of […]
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